The wares have been made into a great variety of decorative objects, but not typically as tableware or teaware. High-quality portraits, mostly in profile, of leading personalities of the day were a popular type of object, matching the fashion for paper-cut silhouettes. Wedgwood turned to leading artists outside the usual world of Staffordshire pottery for designs. The decoration was initially in the fashionable Neoclassical style, which was often used in the following centuries, but it could be made to suit other styles. Wedgwood continued to make it into the 21st century. It was extremely popular, and after a few years many other potters devised their own versions. Īfter several years of experiments, Wedgwood began to sell jasperware in the late 1770s, at first as small objects, but from the 1780s adding large vases. The reliefs are produced in moulds and applied to the ware as sprigs. Relief decorations in contrasting colours (typically in white but also in other colours) are characteristic of jasperware, giving a cameo effect. Usually described as stoneware, it has an unglazed matte "biscuit" finish and is produced in a number of different colours, of which the most common and best known is a pale blue that has become known as Wedgwood Blue. Jasperware, or jasper ware, is a type of pottery first developed by Josiah Wedgwood in the 1770s. The design incorporates sprig casts of the muses supplied by John Flaxman, Sr. Jasperware vase and cover, Wedgwood, about 1790, in the classic colours of white on "Wedgwood Blue".
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